6 styles & fonte variable
Dehors is a six-style sans-serif family with a variable font, designed by Anton Moglia. Derived from Dauphine (Charles Mazé & Coline Sunier), it draws on its cartographic heritage while introducing restructured proportions, fully revised spacing and kerning, and an extended weight range: six styles, from Regular to Bold with matching italics. Thanks to Charles Mazé & Coline Sunier for their original work on Dauphine, the foundation of this project. Dehors was designed at the initiative of Clément Charbonnier-Bouet and Jean-Charles Bassenne, for the communication of artist Carolina E. Santo.
Dehors is a six-style sans-serif family with a variable font, designed by Anton Moglia. Derived from Dauphine (Charles Mazé & Coline Sunier), it draws on its cartographic heritage while introducing restructured proportions, fully revised spacing and kerning, and an extended weight range: six styles, from Regular to Bold with matching italics. Thanks to Charles Mazé & Coline Sunier for their original work on Dauphine, the foundation of this project. Dehors was designed at the initiative of Clément Charbonnier-Bouet and Jean-Charles Bassenne, for the communication of artist Carolina E. Santo.
Dehors is a six-style sans-serif family with a variable font, designed by Anton Moglia. Derived from Dauphine (Charles Mazé & Coline Sunier), it draws on its cartographic heritage while introducing restructured proportions, fully revised spacing and kerning, and an extended weight range: six styles, from Regular to Bold with matching italics. Thanks to Charles Mazé & Coline Sunier for their original work on Dauphine, the foundation of this project. Dehors was designed at the initiative of Clément Charbonnier-Bouet and Jean-Charles Bassenne, for the communication of artist Carolina E. Santo.
Dehors is a six-style sans-serif family with a variable font, designed by Anton Moglia. Derived from Dauphine (Charles Mazé & Coline Sunier), it draws on its cartographic heritage while introducing restructured proportions, fully revised spacing and kerning, and an extended weight range: six styles, from Regular to Bold with matching italics. Thanks to Charles Mazé & Coline Sunier for their original work on Dauphine, the foundation of this project. Dehors was designed at the initiative of Clément Charbonnier-Bouet and Jean-Charles Bassenne, for the communication of artist Carolina E. Santo.
Dehors is a six-style sans-serif family with a variable font, designed by Anton Moglia. Derived from Dauphine (Charles Mazé & Coline Sunier), it draws on its cartographic heritage while introducing restructured proportions, fully revised spacing and kerning, and an extended weight range: six styles, from Regular to Bold with matching italics. Thanks to Charles Mazé & Coline Sunier for their original work on Dauphine, the foundation of this project. Dehors was designed at the initiative of Clément Charbonnier-Bouet and Jean-Charles Bassenne, for the communication of artist Carolina E. Santo.
Dehors is a six-style sans-serif family with a variable font, designed by Anton Moglia. Derived from Dauphine (Charles Mazé & Coline Sunier), it draws on its cartographic heritage while introducing restructured proportions, fully revised spacing and kerning, and an extended weight range: six styles, from Regular to Bold with matching italics. Thanks to Charles Mazé & Coline Sunier for their original work on Dauphine, the foundation of this project. Dehors was designed at the initiative of Clément Charbonnier-Bouet and Jean-Charles Bassenne, for the communication of artist Carolina E. Santo.
"Dehors" means "outside" or "outdoors" in French. It refers to a location or position that is beyond the confines of an enclosed space.
| Name | Dehors |
|---|---|
| Styles | Bold, Bold Italic, Medium, Medium Italic, Regular, Italic |
| Langage support | Western European. Supports major languages of Western Europe and the Americas. |
| Information | Dehors is a six-style sans-serif family with a variable font, designed by Anton Moglia. Derived from Dauphine (Charles Mazé & Coline Sunier), it draws on its cartographic heritage while introducing restructured proportions, fully revised spacing and kerning, and an extended weight range: six styles, from Regular to Bold with matching italics. Thanks to Charles Mazé & Coline Sunier for their original work on Dauphine, the foundation of this project. Dehors was designed at the initiative of Clément Charbonnier-Bouet and Jean-Charles Bassenne, for the communication of artist Carolina E. Santo. |
| Designer | Anton Moglia |
| Version | 1.0 |
| License | SIL Open Font License (OFL) |
| Téléchargement | Download the fonts and sources |