Anton Moglia / Bureau de design graphique

<p>« La mémoire délivre » is the name of a thesis about collective memory I worked on with Danaé Brucelle, Camille Girard and Paul Dupont. In the course of its history, memory has externalized itself more and more. Today the memory of mankind is going through a massive accumulation and storage phase. The abundance of information fills the servers. But if they give access to a massive amount of content, in the same way, internauts have to deal with questionable and non-classified information. Indeed it is necessary today to step back and realize the internet memory content has flaws. Thus, books contain a build, layered knowledge and constitute a valuable alternative on the memory field. Moreover, today given the expansion of digital, books are threatened. Therefore our goal was to show the legitimacy of the book as a memory keeper.</p>

<p>« La mémoire délivre » is the name of a thesis about collective memory I worked on with Danaé Brucelle, Camille Girard and Paul Dupont. In the course of its history, memory has externalized itself more and more. Today the memory of mankind is going through a massive accumulation and storage phase. The abundance of information fills the servers. But if they give access to a massive amount of content, in the same way, internauts have to deal with questionable and non-classified information. Indeed it is necessary today to step back and realize the internet memory content has flaws. Thus, books contain a build, layered knowledge and constitute a valuable alternative on the memory field. Moreover, today given the expansion of digital, books are threatened. Therefore our goal was to show the legitimacy of the book as a memory keeper.</p>

<p>Grand Écart tends to prove the benefices of the past for our contemporary world.<br />
This publishing house edits extracts of old texts, making it a dialogue about the stakes of our time.</p>

<p>Grand Écart tends to prove the benefices of the past for our contemporary world.<br />
This publishing house edits extracts of old texts, making it a dialogue about the stakes of our time.</p>

<p>For the official launch of Trickster by Jean-Baptiste Morizot, I was commissioned to design a poster as a specimen for the font. I choose a text from John Perry Barlow, the Declaration of the Independence of Cyberspace, which claim the independence of the internet from any government.</p>

<p>For the official launch of Trickster by Jean-Baptiste Morizot, I was commissioned to design a poster as a specimen for the font. I choose a text from John Perry Barlow, the Declaration of the Independence of Cyberspace, which claim the independence of the internet from any government.</p>

<p>Font Fonk Fork was a two days workshop initiated by Velvetyne Type Foundry at La Générale. We started from the Cooper Hewitt typeface to create new derivations. Just like the original font, our creations are free to use, study and modify. After a little lesson about type design rules and free/open source licenses, each participant proposed an idea to explain how he wanted to modify the font. I created a typographic system with two weights of the Cooper Hewitt family. By cutting the letters on half, it became a kind of multi-weights font. I named this system « bricoleur », french word for « handyman », because the graphic designer using the font have to fix the system himself before it works.</p>

<p>Click <a href="https://web.archive.org/web/20180328031330/http://velvetyne.fr/fontfonkfork/">Here</a> to see the deticated page & download the fonts.</p>

<p>Font Fonk Fork was a two days workshop initiated by Velvetyne Type Foundry at La Générale. We started from the Cooper Hewitt typeface to create new derivations. Just like the original font, our creations are free to use, study and modify. After a little lesson about type design rules and free/open source licenses, each participant proposed an idea to explain how he wanted to modify the font. I created a typographic system with two weights of the Cooper Hewitt family. By cutting the letters on half, it became a kind of multi-weights font. I named this system « bricoleur », french word for « handyman », because the graphic designer using the font have to fix the system himself before it works.</p>

<p>Click <a href="https://web.archive.org/web/20180328031330/http://velvetyne.fr/fontfonkfork/">Here</a> to see the deticated page & download the fonts.</p>

<p>Font Fonk Fork was a two days workshop initiated by Velvetyne Type Foundry at La Générale. We started from the Cooper Hewitt typeface to create new derivations. Just like the original font, our creations are free to use, study and modify. After a little lesson about type design rules and free/open source licenses, each participant proposed an idea to explain how he wanted to modify the font. I created a typographic system with two weights of the Cooper Hewitt family. By cutting the letters on half, it became a kind of multi-weights font. I named this system « bricoleur », french word for « handyman », because the graphic designer using the font have to fix the system himself before it works.</p>

<p>Click <a href="https://web.archive.org/web/20180328031330/http://velvetyne.fr/fontfonkfork/">Here</a> to see the deticated page & download the fonts.</p>

<p>Font Fonk Fork was a two days workshop initiated by Velvetyne Type Foundry at La Générale. We started from the Cooper Hewitt typeface to create new derivations. Just like the original font, our creations are free to use, study and modify. After a little lesson about type design rules and free/open source licenses, each participant proposed an idea to explain how he wanted to modify the font. I created a typographic system with two weights of the Cooper Hewitt family. By cutting the letters on half, it became a kind of multi-weights font. I named this system « bricoleur », french word for « handyman », because the graphic designer using the font have to fix the system himself before it works.</p>

<p>Click <a href="https://web.archive.org/web/20180328031330/http://velvetyne.fr/fontfonkfork/">Here</a> to see the deticated page & download the fonts.</p>

<p>Communication for the opening ceremony of a new tramway line in Marseilles. During the opening ceremony of a new tramway line, the federation of shopkeepers of the city center of Marseilles had organised an event to gather people of the city, around artistic and cultural activities in the center of Marseilles. The theme of postcards was chosen to recall the historic scope of tramways in Marseilles. The communication around the event was conveyed through a range of various media : a poster in multiple formats, flyers, and a program leaflet.</p>

<p>Communication for the opening ceremony of a new tramway line in Marseilles. During the opening ceremony of a new tramway line, the federation of shopkeepers of the city center of Marseilles had organised an event to gather people of the city, around artistic and cultural activities in the center of Marseilles. The theme of postcards was chosen to recall the historic scope of tramways in Marseilles. The communication around the event was conveyed through a range of various media : a poster in multiple formats, flyers, and a program leaflet.</p>

<p>Internship report about my work in La Manufacture Graphique Marseille, a Marseille based graphic design studio created by Stephan Muntaner.</p>

<p>Internship report about my work in La Manufacture Graphique Marseille, a Marseille based graphic design studio created by Stephan Muntaner.</p>

<p>Internship report about my work in La Manufacture Graphique Marseille, a Marseille based graphic design studio created by Stephan Muntaner.</p>

<p>Internship report about my work in La Manufacture Graphique Marseille, a Marseille based graphic design studio created by Stephan Muntaner.</p>

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